CHURCH MUSIC (CM) top
CM 101 Aural Skills (3)
This is a fundamental music study for basic aural, visual, and vocal experience in sight singing ear training.
CM 102 Music Theory I (3)
This is a basic study of fundamental elements of music theory which are related to notation, major and minor scales, intervals, chord formulas, and chord-scales, dealing with components of harmonization and diatonic harmony.
CM 103 Music Theory II (3)
This is a basic study of fundamental elements of music theory which are related to counter-point, fugue, advanced harmony, and musical structures and musical characteristics in chronicles.
CM 104 Applied Area I (2)
Classical-Voice / Piano / Conducting / Composition/InstrumentsCCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard This is a private lesson course.
CM 105 Applied Area II (2)
Classical-Voice / Piano / Conducting / Composition / Instruments
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course.
CM 121 Introduction to Church Music (3)
This course in an introduction to the music ministry in the local church. It is designed to help students discover ways in which music may be most effectively used in the worship and ministry of the church.
CM 201 Music History I (3)
The course is a survey of developments in Western Music history from its early beginning to the Renaissance era, including a study of styles, forms, and contributions of major composers.
CM 202 Music History II (3)
This is a study about the history of Western Music 2 which covers from the Late Renaissance to the Baroque. A study of Baroque music focusing on national styles as developed by Monteverdi in Italy, Schutz in Germany, Lully and Rameau in France, and Purcell in England.
CM 203 Music Education (3)
This course is to support the understanding an appropriate concept of music education to create practical methods for music trainings that can be used in both communities and churches, focusing on materials and methods used in leading children, youth, and choirs.
CM 204 Applied Area III (2)
Classical-Voice / Piano / Conducting / Composition / Instruments CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard This is a private lesson course.
CM 205 Applied Area IV (2)
Classical-Voice/Piano/Conducting/Composition/InstrumentsCCM-Guitar/Bass uitar/Percussion/Vocal/Keyboard This is a private lesson course.
CM 301 Music History III (3)
This is a study about history of Western Music 3 which covers from the Classical to the Early Romantic Period. Discussing the evolution of opera, Lied, Symphony, Concerto, and Sonata. The course concentrates on music of Haydn, Schubert, Berlioz, and Brahms as pivotal composers and Vienna and Paris as important cultural centers.
CM 302 Music History IV (3)
This is a study about the history of Western Music 4 which covers from the Late Romantic Period to the present. A comprehensive study of major musical trends and composers of the 20th century. Special emphasis is given to the development of Serialism, Neoclassicism, Futurism, and music since World War II.
CM 303 Introduction to Modern Music (3)
This is an overview of styles and trends in the evolution of musical modernism through the study of an intensive examination of theoretical and stylistic aspects of significant works of the 20th century. This course attempts to study and analyze the musical characteristics of Impressionism¡¯s piano music works and styles and the early 20th century music.
CM 304 Applied Area V (2)
Classical-Voice / Piano / Conducting / Composition / Instruments
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course.
CM 305 Applied Area VI (2)
Classical-Voice / Piano / Conducting / Composition / Instruments
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course.
CM 311 Introduction to Music Ministry (3)
This course is designed to introduce music ministry by dealing with biblical and pastoral foundation for the process in the area of music in worship such as the characteristics of hymn, the leadership of the congregational singing and choir.
CM 321 Hymnology (3)
This is an introductory course of hymnology by dealing with general hymn writers, hymnals and gospel songs in historical hymnody and the characteristics of hymnic structure in music and text of hymn.
CM 322 Church Music Literature (3)
This course is a chronological survey of the sacred vocal music literatures (masses, cantatas, chorales, anthems, oratorios, requiems, passions, etc.) relating to the church, and of an introduction of the origin as well as development.
CM 323 Church Music Composition (3)
This course is designed to teach the student making vocal music such as solo, duet, trio or four part songs even an anthem to be used in local churches.
CM 324 Fundamentals of Music (3)
Rudiments of music including not identification, rhythm, time signatures, key signatures and the basics of song leading.
CM 401 Survey of Form in Music (3)
This course is a basic study of methods to analyze the elementary structure of musical forms defined by motive, period, phrase, and various skeletons in music.
CM 402 Style Criticisms (3)
This is a basic course of an intensive stylistic, historical and cultural investigation into the music of composers their works emphasizing the analysis of technical, structural and structural and stylistic practices in Baroque into the 20th century.
CM 403 Applied Area VII (2)
Classical-Voice / Piano / Conducting / Composition/ Instruments CCM-Guitar / Bass Guitar / Percussion/ Vocal / Keyboard This is a private lesson course.
CM 404 Applied Area VIII (2)
Classical-Voice / Piano / Conducting / Composition/ Instruments CCM-Guitar / Bass Guitar / Percussion/ Vocal / Keyboard This is a private lesson course.
CM 405 Senior Recital (2)
Classical-Voice / Piano / Conducting / Composition / Instruments
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a requirement for the fulfillment of graduation requirements. 15 minutes performance is required.
CM 406 The Survey of Piano Literature (3)
This is a fundamental study of piano literature in chronological order.
CM 407 The Survey of Piano Literature II (3)
This is a fundamental study of piano literature in chronological order as a subsequent course of piano literature I.
CM 409 The Survey of Vocal Literature I (3)
This is an historical survey of vocal literature.
CM 410 The Survey of Vocal Literature II (3)
This is an historical survey as a subsequent course of vocal literature I.
CM 411 Instrumental Conducting (3)
This is a survey of instrumental conducting and rehearsal procedures in musical works such as ensembles and chamber orchestra.
CM 412 Anthem Literature (3)
This is a survey of anthem literature designed to analyze musical materials from ranges, meter, voice texture and even to forming music.
CM 413 Praise and Worship I (3)
This is a survey study of the history of praise and worship movement and how to encourage the congregation to be involved in the presence of God with contemporary music.
CM 414 Praise and Worship II (3)
This is a survey study of the history of praise and worship movement and how to encourage the congregation to be involved in the presence of God with contemporary music.
CM 415 Analysis of Anthem Literature (3)
This course is a basic analysis of music and text in comprehensive anthems.
CM 416 Forms in Piano Music (3)
This course is designed to study the musical structural form to analyze in the various piano literatures.
CM 417 Survey of Instrumental Music Literature I (3)
This is a basic study of comprehensive literature of instrumental music.
CM 418 Survey of Instrumental Music Literature II (3)
This is a basic study of comprehensive literature of instrumental music as a subsequent course of instrumental music literature I.
CM 421 Worship in Music (3)
This course is designed to introduce the student to the biblical and theological principles and foundations of worship in order that they may prepare to be a leader of music in worship for local churches.
CM 422 Choral Arranging (3)
This course is designed to teach students the fundamentals of choral arranging of various vocal combinations.
CM 423 Church Music Administration (3)
This course is an in-depth study encouraging students toward essential elements for leadership techniques in the organization of a local church music ministry, emphasizing on determining, evaluating, planning, and administrating all music programs, budgeting, and maintenance of physical facilities in a local church.
CM 424 Music Ministry (3)
This course is to encourage students toward experiencing essential elements for thoughtful music ministry. It will approach such elements through theological and pastoral considerations for music ministry in local churches.
CM 425 Choral Literature (3)
A survey of functional choral literature, dealing with choir¡¯s music such as contemporary or traditional anthems used in the public worship of local churches.
CM 505 Music History I (3)
This is a master level study from the Middle ages to the early Baroque period. The student will discover the renowned works from the major composers, their compositions, types and specific structures from those eras.
CM 506 Music History II (3)
This is a master level study from the late Baroque to Classical period. The student will discover the renowned works from the major composers, their compositions, types and specific structures from those eras.
CM 507 Music History III (3)
This is a master level study from Romanticism and later. The student will discover the renowned works from the major composers, their compositions, types and specific structures from those eras.
CM 508 The Issues in Music Ministry (3)
This course is designed to discuss the musical issues caused by musical activity in church, encouraging students to experience the essential elements of thoughtful ministry.
CM 509 Introduction to Convergence Therapy (3)
This course provides a historical, theoretical, and clinical basis for defining and understanding music therapy. It is also designed to give a survey of basic principles, methods, techniques, and applications. One will finish this course with an understanding of how music can impact on a range of client groups and change people¡¯s lives for the better.
CM 510 Choral Music Education (3)
This course is a study of choral music education by dealing with music theory, solfeggio reading, and foreign language literature for classical and contemporary repertoires. It includes choral literature researches and organizational exercises for choral ensembles and choirs.
CM 511 Applied Area I (3)
Classical-Piano / Voice / Conducting / Composition / Instruments / Music Coaching / Musical Arts Convergence
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course. Specially for the Musical Arts Convergence applied area this course will be offered by E-Learning reflected by the contents of Synthesis of Music & Arts I.
CM 512 Applied Area II (3)
Classical-Piano / Voice / Conducting / Composition / Instruments / Music Coaching / Musical Arts Convergence
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course. Specially for the Musical Arts Convergence applied area this course will be offered by E-Learning reflected by the contents of Synthesis of Music & Arts II.
CM 513 Applied Area III (3)
Classical-Piano / Voice / Conducting / Composition / Instruments / Music Coaching / Musical Arts Convergence /
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course. Specially for the Musical Arts Convergence applied area this course will be offered by E-Learning reflected by the contents of Synthesis of Music & Arts III.
CM 514 Applied Area IV (3)
Classical-Piano / Voice / Conducting / Composition / Instruments / Music Coaching / Musical Arts Convergence
CCM-Guitar / Bass Guitar / Percussion / Vocal / Keyboard
This is a private lesson course. Specially for the Musical Arts Convergence applied area this course will be offered by E-Learning reflected by the contents of Synthesis of Music & Arts IV.
CM 518 Graduate Recital (3)
This is a requirement for the fulfillment of graduation requirements. A 30 minute performance is required.
CM 519 Master Lecture Recital (3)
This is a requirement for the fulfillment of graduation requirements for Music Education Emphasis. A 30 minute performance is required.
CM 520 Theory and Practice of Music Education for Children (3)
This course is designed to introduce the historical, philosophical, and psychological foundation of music education, and explore the major music teaching theories and approaches for children.
CM 521 The Literature of Piano Music I (3)
This is a master level study of the literature for solo piano from the early Baroque to the Classical period focusing on musical techniques.
CM 522 The Literature of Piano Music II (3)
This is a master level study of the literature for solo piano from the Romantic era to the contemporary period focusing on musical techniques.
CM 523 The Literature of Solo Vocal Music I (3)
This is an advanced study of various languages in song literature that will develop and improve the knowledge and skills already acquired at the undergraduate level. Through analysis and performance the students will examine and become familiar with compositional aspects and performance practices of solo vocal repertoire beginning in the Baroque Period and progressing chronologically.
CM 524 The Literature of Solo Vocal Music II (3)
This is an in-depth study of various languages in song literature that will develop and improve the knowledge and skills already acquired at the undergraduate level. The students will examine and become familiar with compositional aspects and performance practices of solo vocal repertoire beginning in the Classical, Romantic, and Twentieth Century.
CM 525 Instrumental Conducting (3)
This course is designed for students to explore the instrumental music scores for conducting skills and techniques and to learn rehearsal procedures.
CM 526 Choral Literature (3)
This course is designed to search various choral literatures to analyze musical materials and the structure of music with the text of the choral works.
CM 529 Instrumental Music Literature I (3)
This is a master level study of the literature for solo instrument in the Classical era with emphasis on musical styles.
CM 530 Instrumental Music Literature II (3)
This is a master level study of the literature for solo instrument after the era of Romanticism with emphasis on musical styles.
CM 531 The Study of Praise and Worship I (3)
This is a master level study of practical theories which are to be applied for leading praise and worship teams on how to be influential to the congregation in contemporary worship which the student will analyze and study.
CM 532 Church Hymnology (3)
This course examines the developing process of hymns and an understanding of hymns in biblical, theological, literary, and musical aspects, and of their usage in the various ministries of the church, especially in corporate worship reports of their work.
CM 533 Church Music in Contemporary Culture (3)
Christian worship and music in relation to current contemporary cultural trends, dealing with the expression of the student¡¯s own cultural, generational, artistic viewpoints based on biblical roots of worship and the theological ground for true corporate contemporary worship.
CM 534 Church Music Ministry (3)
This course is to encourage students toward experiencing essential elements for thoughtful music ministry. It will approach such elements through theological and pastoral considerations for music ministry in local churches.
CM 801 Music of the Middle Ages and Early Baroque (4)
This is a doctoral course to be designed for in-depth study from the Middle ages to the early Baroque period. The student will explore with the specific works from the major composers, their compositions, genres and particular structures from those periods.
CM 802 Music from Late Baroque to Classical Period (4)
This is a doctoral course to be designed for in-depth study from the late Baroque to Classical period. The student will explore with the specific works from the major composers, their compositions, genres and particular structures from those periods.
CM 803 Music in Romanticism and later (4)
This is a doctoral course to be designed for in-depth study of music in Romanticism and later. The student will explore with the specific works from the major composers, their compositions, genres and particular structures from those periods.
CM 804 Church Music and Literature (4)
This course is an advanced study of the sacred choral literatures dealing with masses, cantatas, oratorios, requiems and passions from the Baroque to the 20th century.
CM 805 Colloquium of Church Music Philosophy (4)
This course is an in-depth study to understand the philosophical and theological foundations of church music obtained from the Bible and other notable books of the evangelical theologians and historical church musicians of the Christian world.
CM 807 Musical Evolution in Modern Cross-Cultural Society (4)
This study is a cross-cultural perspective in the 21st century¡¯s society. It contains researches findings from a variety of different cultural fields, including evolutionary musical genres and traditional folk music of different nations. The course focuses on key transformations in cultural evolution, social relations, and modern technological development.
CM 808 Orchestral Music in Analysis (4)
This course is an in-depth substitute study for the Doctoral Recital, dealing with analyzing church music works or symphony according to theoretical methods.
CM 811 Doctoral Applied Area I (3)
Voice / Piano / Composition / Conducting / Music Coaching / Instruments
This is a doctoral private lesson course.
CM 812 Doctoral Applied Area II (3)
Voice / Piano / Composition / Conducting / Music Coaching / Instruments
This is a doctoral private lesson course.
CM 813 Doctoral Applied Area III (3)
Voice / Piano / Composition / Conducting / Music Coaching / Instruments
This is a doctoral private lesson course.
CM 814 Doctoral Applied Area IV (3)
Voice / Piano / Composition / Conducting / Music Coaching / Instruments
This is a doctoral private lesson course.
CM 820 Doctoral Ensemble Recital (4)
This course is designed to give students an opportunity to acquire ensemble experience in piano, instruments and music coaching at the stage. Students will be a part of variety of ensemble combinations, with the professor acting as coach and coordinator. Repertory is selected to acquaint the student with representative ensemble literature for all periods.
CM 841 Doctoral Seminar of Piano Literature I (4)
This is an in-depth study of the literature for solo piano from the early Baroque to the Classical period with emphasis on musical styles.
CM 842 Doctoral Seminar of Piano Literature II (4)
This is an in-depth study of the literature for solo piano from the Romantic era to contemporary period with emphasis on musical styles.
CM 843 Doctoral Seminar of Solo Vocal Literature I (4)
This is an in-depth study of various languages in song literature that will enhance and refine the knowledge and skills already acquired at the master level. The students will examine and become familiar with compositional aspects and performance practices of solo vocal repertoire beginning in the Baroque Period and Classical period.
CM 844 Doctoral Seminar of Solo Vocal Literature II (4)
This is an in-depth study of various languages in song literature that will enhance and refine the knowledge and skills already acquired at the master level. The students will examine and become familiar with compositional aspects and performance practices of solo vocal repertoire beginning in the Classical, Romantic, and Twentieth Century.
CM 845 Doctoral Seminar of Instrumental Conducting I (4)
This is an in-depth study of the instrumental conducting skills and technique with the full-score analysis.
CM 846 Doctoral Seminar of Choral Literature I (4)
This is an in-depth study of the choral literature that will enrich and cultivate the knowledge and skills already acquired at the master level. The student will examine with compositional aspects of choral music repertoire in the chronological order.
CM 849 Doctoral Seminar of Instrumental Music Literature I (4)
Historical-analytical survey of orchestral literature from the birth of the orchestra to the present day, focusing on history, innovations, developments, the changing roles of orchestral instruments, performance style and techniques, and the compositional philosophies of the composers studied; Origins of Orchestra Music; Baroque period.
CM 853 Pianism I (4)
The course is designed to give developing professional pianist¡¯s greater depth and breadth of knowledge of their repertoire and piano technique than is possible either in the theoretical or practical survey and analysis. Pianism I covers Russian traditions and musical styles (Russia¡¯s Pianistic Development).
CM 854 Pianism II (4)
The course is designed to give developing professional pianist¡¯s greater depth and breadth of knowledge of their repertoire and piano technique than is possible either in the theoretical or practical survey and analysis. Pianism II covers French and German Style of Piano Playing including their aesthetic and styles.
CM 855 Seminar in Italian Diction (4)
The purpose of this course is to help singers sing accurately, idiomatically, and expressively in Italian. The teaching will be based on Italian lyric diction which can be quite different from colloquial speech. Singing with accurate diction helps improve the quality of vocal arts. Both singing and choral conducting majors should take this course.
CM 856 Seminar in German Diction (4)
This course is for singers and choral conductors to improve their capacity to respond with ease, accuracy, and expression in German. German diction will offer principles and practice for the singing of repertoire in German by using International Phonetic Alphabet drills and musical performances.
CM 857 Seminar in French Diction (4)
This is an in-depth study of phonetic sound of the French language to promote the ability to sing in French by utilizing the International Phonetic Alphabet. Singing with accurate diction helps improve the quality of vocal arts. Both singing and choral conducting majors should take this course.
CM 858 Seminar in the History of Opera (4)
In this course, we will study in-depth of the operas by Wolfgang Amadeus Mozart (1759-1791) who took a great role as a bridge from baroque to romantic period. Students will study the musical and dramatic structures of his operas, and find out the reasons why his operas are considered significant in the history of music. Our goal is not only learning the theory but also applying what we learn in this class to performance.
CM 859 Doctoral Seminar of Instrumental Conducting II (4)
This is an in-depth continuous doctoral study for the instrumental conducting skills and technique with the full-score analysis.
CM 860 Doctoral Seminar of Choral Literature II (4)
This is an in-depth continuous doctoral study for the choral literature, examining rehearsal technique and musical aspects of choral music repertoire in the chronological order.
CM 861 Doctoral Seminar in Church Music and Leadership (4)
This course is to discover the meaning and purpose, characteristic and methods of Christian leadership reveled in the Bible for church music leaders. And it will also pursue to apply those discoveries to church music ministry and life so that the students will be able to be equipped as a Christian leader.
CM 865 Doctoral Seminar of Instrumental Music Literature II (4)
Historical-analytical survey of orchestral literature from the birth of the orchestra to the present day, focusing on history, innovations, developments, the changing roles of orchestral instruments, performance style and techniques, and the compositional philosophies of the composers studied; The Symphony and Orchestral pieces of the Romantic period, continuing through Mahler.
CM 866 Doctoral Seminar of Instrumental Music Literature III (4)
Historical-analytical survey of orchestral literature from the birth of the orchestra to the present day, focusing on history, innovations, developments, the changing roles of orchestral instruments, performance style and techniques, and the compositional philosophies of the composers studied; The Symphony and Orchestral pieces in the 20th century.
CM 867 Doctoral Seminar in Music in Worship (4)
This course is an in-depth study of biblical foundations for music in worship, highlighting the worship theology and nature by approaching and developing to comprehensive music in worship.
CM 868 Doctoral Seminar in Contemporary Christian Worship Music (4)
This is an in-depth study of doctoral course, concentrating on Contemporary Worship Music about worship and praise in details after Jesus Movement in 1960 year. The students will study on the worship nature, the theories on music in worship, CCWM¡¯s terminology and history with practical musical producing for the ministry leadership of CCWM.
CM 878 Doctoral Seminar of Instrumental Music Literature IV (4)
Historical-analytical survey of orchestral literature from the birth of the orchestra to the present day, focusing on history, innovations, developments, the changing roles of orchestral instruments, performance style and techniques, and the compositional philosophies of the composers studied; The Symphony from its beginnings through Beethoven.
|